Wednesday, August 18, 2010

Writing Prompt: The River



This writing prompt is from Lisa Romeo. I have never before posted a picture on the SFD blog, but this prompt led me straight to this photo from our recent trip out west.

This summer, we traveled together for nearly weeks — six of us in an eight-year-old minivan with a Sears car-top carrier. Between Chicago and Seattle, we encountered countless bodies of water, from the Great Lakes to the Pacific Ocean. We learned about dams and hydro electric power, and the how engineers and conservationists are revising and rethinking how damming our rivers impacts our environment. 

We crossed the mighty Mississippi early on, at LaCrosse, WI. It was only then that we felt like the trip had really started. Wide and meandering on that border between Wisconsin and Minnesota, the Mississippi was a sleeping giant, lazing along in the heat of the northern summer. It split and reconnected around fingerlike islands, bent at an elbow and slipped passed the I-90 bridge, oblivious of the oily mess it would meet at its delta.

When you start with the Mississippi, how can other rivers compare? I discovered that rivers don't compete. They're content with their own personalities. Creeks and brooks, rivers and streams, mere trickles and pushy waterfalls — we saw them all — and each was thoroughly engaged, a study in movement, some walking, some skipping, some running, but all inexorably going forward to some unknown destination. 

The power of water is can been seen in even slightest trickle. Flowing water both shapes and is shaped by the land formations and obstacles in path. While we watch, we see only the later, how a protruding rock forces the water up, around and over it, changing the shape, color and sound of the water when they meet. We don't see that the water is simultaneously sculpting the rock, smoothing it, scraping and carrying it's minerals downstream. It will take months or years or decades before the human eye can see the water's impact on the rock, but the water's influence over the rock is more permanent and significant than the rock's power over the water.

Many of the rivers we met were suffering the heat of summer.  Wide banks seemed like big-brother hand-me-downs to creeks that had retreated from their edges during weeks of 100+ degree days. 

The true power of moving water could be seen best in the rivers that weren't — or at least weren't any more. The magnificent coulees carved by long-dead ancient rivers bore the scars and patterns of gushing waters that have escaped the bonds of human memory. This dry river bed, this river of rocks and mountain detritus stood probably 25 or 30 feet wide, a lasting memorial carved like a sculptor's self-portrait; a still, unmoving replica of a once-formidable force.

I think this passage meanders more haphazardly than any of the rivers we saw, but hey, it's just a SFD, right?

Sunday, August 15, 2010

Writing Prompt: Sin City

This writing prompt from Lisa Romeo's blog, where you can sign up to receive daily writing prompts in your inbox. I usually give myself 10 minutes for these prompts.

To say he wasn't much of a gambler is an understatement. Joseph was a planner — someone who contributed regularly to his 401K, who made sure his bills were paid on time and that his sole credit card was paid off monthly to avoid interest charges. In fact, the only reason he had a credit card at all was to help develop his excellent credit rating and because his job required a lot of traveling, which in turn required a credit card rent a car and reserve his hotel rooms.

Joseph traveled at least two weeks a month, staying in modest, virtually indistinguishable hotel rooms. They tended to be clean, but boring, ranging in color from beige to taupe to tan — more than neutral, the decor (if you could call it that) was practically invisible. Joseph preferred it that way. No surprises, no need to adjust your sensibilities or compare one hotel room to another. Blandness bred contentment, which was more consistent than happiness.

Last week, Joseph was stunned to attention when he checked into a newly remodeled hotel in the heart of an undistinguished mid-sized city in middle America. His records indicated that he had visited this hotel before, but other than the receipts he kept and the Excel spreadsheet where he listed expenses and tracked his experiences (if you could call them that). 

When he drove up to the hotel, he was not surprised that he did not recognize the facade. He was surprised by that this hotel, one he had presumably stayed in before, did not sport the ubiquitous brick or stucco front with a canopied driveway. Instead, he pulled up curbside and was greeted by a liveried valet, who took his rental vehicle God knows where and left Joseph staring after him with the valet ticket clutched in his hand.

Turning slowly, Joseph took one step toward the doors, which automatically slid open to the left and right. The familiar Formica clad concierge counter had been replaced by a stand-alone semi-circle desk in polished aluminum. The entire lobby was shiny metal and red lacquer, lit by a galaxy to tiny, pinpoint lights. The mirrored elevator doors reflected the lobby as he saw it, with the exception that it also showed a beige man in a rumpled suit, with hair and skin that had greyed before its time. It took Joseph almost a minute to recognize himself.

Joseph was brought back to reality when the shiny concierge flashed a digital camera in his face. Her hair was black and blunt cut, and her flawless white skin was bisected by a cut of red lipstick. She smiled and said it would be just another minute and he couldn't help but notice how young she looked, even though he was not yet 30. Her black suit was perfectly tailored and the collar of her red silk blouse seemed to cradle her delicate face. Suddenly, she walked out from behind the semi-circle, pressed a key-card into his hand on top of the valet ticket and guided him by the elbow into the waiting elevator. 

"Tenth floor, suite B," she smiled, taking his key card and waving it in front of a small screen inside the elevator where the button panel should have been. "Enjoy your stay," she said, and as the doors closed, the last thing he saw were her implausibly high red patent leather pumps.

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I'm not quite sure where Joseph came from, but the hotel is much like the one my brother recently stayed in when we met up in Seattle. My family and I were stuck in two tacky rooms at a national chain, paying $185 a night per room; he stayed in an edgy, newly remodeled place just a few blocks away for a mere $60 a night with free parking. 

Saturday, August 14, 2010

Writing Prompt: The Dance

This writing prompt from Lisa Romeo. I've been away from writing for several weeks while we traveled. I always think I'm going to do a lot of writing on the road, but it never works out that way. My writer friends tell me it's important to take a break and refill the well, so I'm going to pretend that I did that. But now that I'm home, seems a writing prompt is a good way to get back into the swing of things. 10 minutes.

Without question, the longest two hours of my life. Longer than the time I was stuck on the tarmac in Cleveland during a snow storm. Longer even than any two hours of labor. It was the time I chaperoned the middle school dance. 

Just to prove how bad this dance was, the principal decided to cancel all dances from that point forward, so it wasn't just me who that it was bad. It was bad.

I'm no prude and with four kids and two step kids, I've done more than my fair share of chaperoning. How bad could it be? thought I. Two hours in a middle school gym — a little sweaty, a little loud, a little boring, but I could take it. I was a veteran. 

My little sixth grade twins had no idea what the whole dance thing was about. Like all the other sixth graders, the formed a circle around the periphery of the gymnasium, mostly running around and playing tag. 

The seventh graders formed another ring, inside the circle of sixth graders, but not at the center. Here the girls primped, gossiped, giggled and pointed. Totally expected behavior. The boys stood in awkward clumps, hands shoved deep in their pockets, standing on tiptoe to see the real action that was going on in the very center of the room.

The eighth graders closed ranks in tight knots that formed the nucleus of the three-ringed cell. They were the only ones "dancing", if you could call it that. A single girl stood, bent over at the waist, buttocks high in the air. She was surrounded by a group of between six and 10 boys, who took turns bumping and grinding into her from behind, simulating (quite graphically) a variety of sex acts. 

Again, I'm not a prude, but I was seriously shocked. These were 12 and 13 year old kids. I know that jitter bug was considered obscene in its day; my mother wasn't allowed to even listen to Elvis the Pelvis because of his lewd hip movements; and belly dancing, often considered an art, clearly has sexual overtones. But this was overtones, undertones and overt, in-your-face sex. And it was gross. I could understand what the boys liked about it, but I kept wanting to ask the girls "What are you thinking?"

The principal instructed chaperones to physically walk through the circles to break it up. At one point, he turned the lights up to full power to discourage the behavior. I spent two hours as a vice cop before the whistle blew signaling that it was time to go home. I never knew the shrill sound of a whistle could bring such relief. I grabbed my twins and headed home for a much-needed long, hot shower. 

Time: Oy, that was such an awful night. Wonder how I could use this in fiction. That dance was six years ago. Have shows like Dancing with the Stars changed school dance behavior? Would I have been as bothered if it had been a high school dance?

Sunday, July 18, 2010

Writing Prompt: Cake or Pie?

This writing prompt, from Lisa Romeo, just begs to become a Two Kinds of People post. For this SFD, I'm just going to list the things I want to touch on in my post and see where it takes me.

There are two kinds of people in the world: cake people and pie people.

Not a big fan of cake. Cake is too dry, except truly decadent cakes like those molten chocolate things. 

Cupcakes are a pain in the ass to make. Tell the story about the little boys eating the tops off of all those cupcakes. Molly's black-bottom pies and how the recipe calls for frosting, which seems redundant. 

Then there was the time when Al Segretti inadvertently made my favorite pie for dessert on my birthday for the progressive dinner.
Cindy Fey's pie from last year. What a treat. Not many people will bake for mere acquaintances.

Making pie with Amy up at Michigan Tech. It was my first effort and a complete disaster. Pie is tricky, even though there are only a few ingredients. The dough is sensitive to ambient conditions and overworking it can make it tough. Also mention baking pies with Grandma. Cindy and I used to get the trimmings to make tarts, but we usually just made a mess. Interesting that some people who like to cook don't like to bake, and vice versa.

Pie song from "Michael".
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So, this was interesting. Writing my thoughts down just as they came without molding or shaping them. Oddly, it did not feel freeing to write this way. I think part of the fun for me of writing Two Kinds of People post is shaping all these random, barely-connected ideas into a cohesive whole. Here's a pun for you: I like kneading the randomness into a workable shape. Which is what I'm going to do right now. See the finished product over at Two Kinds of People. I'll leave it cooling on the window sill.

Saturday, July 17, 2010

Writing Prompt: Infected

Today's writing prompt, from Lisa Romeo, reminds me of a game we used to play in college that involved the use of creative insults. We were big into Shakespeare back then, and our everyday vernacular began to sound quite flat in comparison. It's one thing to call someone an asshole — anyone can do that, but it doesn't even compare to one of the Bard's famous insults, like this one from King Lear:

"Thou art a boil, a plague sore, an embossed carbuncle in my corrupted blood."

So, this is where today's writing prompt is taking me — to insults. Probably not quite what Lisa had intended.

Wound
Infected wound
Infected, foul-smelling wound
Infected, foul-smelling wound on a corpse
Infected, foul-smelling wound on a rotting corpse
Infected, foul-smelling wound on the rotting corpse of your soul
Oozing, infected, foul-smelling wound on the rotting corpse of your soul
Oozing, infected, foul-smelling wound on the rotting corpse that had been the soul of mankind.
You are an oozing, infected, foul-smelling wound on the rotting corpse that was once the soul of mankind. You represent the final stages of decomposition, the seething remnants of our former glory, the pathetic ruins of our great potential scuttled by corporate greed and human arrogance.

Red
Flaming red
Infected, flaming red 
Infected, flaming red mound
Infected, flaming red mound of pus
Infected, flaming red mound of pus-filled boils
May you be infected by a flaming red mound of pus-filled boils
May you be infected by a flaming red mound of pus-filled boils that render you hideous to those you wish to impress.

Maggot
Infested with maggots
Filthy, infested with maggots
Filthy bottom feeder, infested with maggots
Filthy, bottom-feeding parasite, infested with maggots
Useless, filthy bottom-feeding parasite, infested with maggots
Useless, filthy bottom-feeding parasite, infested with disease-spreading maggots
You are nothing but a useless, filthy, bottom-feeding parasite, infested with disease spreading maggots, and I will use every tool, every weapon at my disposal to rid the world of your plague.

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So much more fun than simply calling someone an asshole. Cathartic, really. Feel free to give my little stream of consciousness game a try in the comments below.

Friday, July 16, 2010

Writing Prompt: Putting Out Fires

Today's writing prompt is courtesy of Lisa Romeo's Summer Writing Prompt Program. You can get free prompts from Lisa, too. Here we go — 10 minutes on putting out fires.

It seems all I do these days is put out fires. There's no time for planning, thoughtful contemplation, cool assessment of the situation. I just aim the fire extinguisher at that flare up, blast the hose on this flame, and spread the chemical foam on those dangerous crash and burn fires.

The little flare ups are caused by my two youngest boys, who are a combustible combination these days. Prior to adolescence, they were best friends. Now that can't seem to be in the same room together for more than five minutes without igniting a simple bicker into a big blowup. 

The visible flames come from our robbing-Peter-to-pay-Paul financial strategy. We haven't intentionally increased our spending, but our income has been cut (like everyone else's), our healthcare expenses keep rising, and every time I turn around, there's a new bill burning to be paid. Just when we get one fire under control, a new hot spot shows bursts into flames. 

The slow, undousable burn stems from my inability to stop time (or at least slow it down a bit). Children are heading off to college, step children are getting married, little boys are turning into big boys, and there's not a damn thing I can do about it. This particularly deadly fire is complicated by my tendency to burn the candle at both ends, leaving me vulnerable to the shifting winds of middle-age mood swings that provide endless fuel for this fire.

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10 minutes. I know. I know. I took this poor metaphor and squeezed it's guts out. But, that's what shitty first drafts are for.

Thursday, July 15, 2010

Writing Prompt: Bolt

Lisa Romeo has once again offered to send daily writing prompts to your (and my) inbox, so I'm picking up the SFD blog again. Ten minutes is all it takes, because that's all I'll allow. Go.

Bolt out the door. Bolt down the block, around the corner, into Cassie's backyard. The hammock is empty, swinging slightly in the breeze. No Cassie.

Bolt down the alley, through the hole in the chain link at the end and climb the fire escape up to the roof of Sully's Garage. There's a pretty good view of the neighborhood from up there. Sully's working on that heap of his in bay #1. I can't see him from up here, but I can hear the clank, clank of his tools and then him swearing as he finds yet another problem. It's like a mechanic's symphony down there:

Clank, clank "Shit"
Clank, clank "Fucking piece of junk"
Clank, clank "Got it"
Clank, clank "Dammitalltohell"

He should dump that car.

Like I should dump Cassie. Every time I turn around there's drama and more drama. Back to business. Vince and Capo are on their boards at the skate park. I look for Cassie and the yapfest she calls a dog. No pink leashes to be seen.

Bolt back down the fire escape, jumping the last 10 feet when the ladder sticks. Bolt down Jackson into Murphy's Drugs. I check the aisles. There she is, holding yappy under her arm and staring at a little box. Like she senses me standing there, she looks up and turns the home pregnancy test toward me.

I bolt.

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10 minutes. Don't know why this teenager popped into my head with the prompt, but all I could see was a skittish, wiry kid in black jeans and a white t-shirt looking for his on-again, off-again girlfriend. Strange what pops into your head with a writing prompt.